![]() ![]() The highlighting of particular words and syllables.In the English language, intonation, or pitch, is a suprasegmental that incorporates three variables: The purpose of proper lyric setting in a song is to establish lyrical content in its most authentic form to promote relatability. The stressed and unstressed syllabic patterns of lyrical content are aligned with strong and weak beats of music in order to ensure lyrics are easily recognized, correctly understood, and fulfill their ultimate meaning and emotion. All musical time signatures are made up of strong and weak beats. Stressed and unstressed syllables form into rhythmic patterns, similar to musical beats. Stress is not only determined by natural rhythmic meter, but also by a word's level of meaning. The numerous parts of speech hold different levels of meaning and are assigned different levels of importance. These syllables are distinguished by their suprasegmentals, or their qualities of intonation, duration, and dynamics. Proper lyric setting involves the identification of stressed and unstressed syllables. To achieve prosody, the rhythmic placement of a lyric in music must support its natural rhythm, meaning, and emotion. Prosody is defined as "an appropriate relationship between elements." According to Pat Pattison, author of Writing Better Lyrics, prosody is created when all musical and lyrical elements work together to support the central message of a song. Lyric setting is the process in songwriting of placing textual content ( lyrics) in the context of musical rhythm, in which the lyrical meter and musical rhythm are in proper alignment as to preserve the natural shape of the language and promote prosody. Stride by Stride.Process of aligning text to a musical rhythm.Photo credit: Photo – Wordsthatsing: wordpress Hope to see you on Monday, when M is for Murals of Southern California. How do you find the right balance? What is the effect lyrical prose has on you ? Searching for the the right balance isn’t easy. The language doesn’t always have to be musical and rhythmic, right? Imagine how exhausting for the reader to experience the character’s deep emotional feelings all the time. Overuse metaphors and similes (I know I have to avoid such pitfalls). Overwriting tends to sneak into lyrical writing. None of this is without an element of danger. I have deep admiration for authors who take the time to use language as musical instruments, to serenade the reader with their prose. Lyrical prose conjures up vivid images it creates psychological and emotional depth. The beautiful imagery describes Mom’s restlessness, (showing her almost on fire), which lead to their problems. ![]() … I climbed to the roof and easily spotted her blond hair like a white flame in the light of the three-quarter moon.” Here’s a short segment form the opening paragraph: “We couldn’t sleep in the hot dry nights, my mother and I. No emotion, no reason to care, little reason to read on.Īnother book that comes to mind is Janet Fintch’s “White Oleander.” The heart-wrenching images stick in this reader’s mind like glue, but without having wrapped the story in lyrical prose the images would have faded from memory soon after. Tolstoy could’ve limited this to “Her heart was broken,” but the reader would have been robbed of Anna’s emotional complexity. “All her illness and treatment stuck her as a thing so stupid, ludicrous even! Doctoring her seemed to her as absurd as putting together the pieces of a broken vase. Take Anna Karenina and the paragraph that sums up hopelessness and pain. Without the restrictions assigned to other styles, fiction writers are free to express their creativity, bend rules, even alter time and place to give us beautiful prose. ![]() Lyrical prose makes the words sing, doesn’t it?
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